The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
आजानुबाहुर्भगवान्निद्रारहितलोचनः । कोटिसागरगाभीर्यः कालकालः सदाशिवः ॥ ६० ॥
ājānubāhurbhagavānnidrārahitalocanaḥ | koṭisāgaragābhīryaḥ kālakālaḥ sadāśivaḥ || 60 ||
وہ مبارک ربّ جس کے بازو گھٹنوں تک ہیں، جس کی آنکھیں نیند سے پاک ہیں؛ جو کروڑوں سمندروں جیسا گہرا، زمانے کا بھی فنا کرنے والا—وہی سداشیو ہے۔
Narada (narration within the Narada–Sanatkumara dialogue context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It presents Sadāśiva as the ever-awake, immeasurably profound Supreme—described as transcending time itself—inviting contemplation of the timeless reality behind all change.
By offering a concentrated stuti (praise) of Sadāśiva’s divine attributes, it supports bhakti through remembrance (smaraṇa) and reverent meditation on the Lord’s transcendence and auspicious nature.
While not a technical Vedāṅga rule, it uses precise epithets and compound formations (samāsa) typical of Vyākaraṇa-aware Purāṇic Sanskrit, modeling how theological meaning is carried through disciplined language.