The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
कृतबाहुश्रृंगयष्टिगुंजालंकृतकंठकः । मयूरपिच्छमुकुटो वनमालाविभूषितः ॥ ५८ ॥
kṛtabāhuśrṛṃgayaṣṭiguṃjālaṃkṛtakaṃṭhakaḥ | mayūrapicchamukuṭo vanamālāvibhūṣitaḥ || 58 ||
اس کی گردن گُنجا مالا اور سینگ نما عصا کے زیور سے آراستہ ہے؛ وہ مورپَر کا مُکُٹ پہنے ہوئے اور وَنمالا سے مزین ہے۔
Narada (describing the deity’s iconographic features within the teaching narrative)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It presents a dhyāna-friendly iconographic snapshot—peacock-feather crown and vanamālā—so the devotee can stabilize devotion through a vivid, auspicious form associated with Vishnu/Krishna.
By detailing recognizable ornaments (mukuṭa, vanamālā, guñjā), it supports saguna-upāsanā—loving worship with form—where remembrance (smaraṇa) and visualization become practical tools of Vishnu-bhakti.
It aligns with technical traditions used in ritual manuals—murti-lakṣaṇa and alankāra conventions—helping practitioners standardize deity visualization and temple/household worship details.