The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
अघासुरविनाशी च विनिद्रीकृतबालकः । आद्य आत्मप्रदः संगी यमुनातीरभोजनः ॥ ५६ ॥
aghāsuravināśī ca vinidrīkṛtabālakaḥ | ādya ātmapradaḥ saṃgī yamunātīrabhojanaḥ || 56 ||
وہ اَغھاسوُر کو ہلاک کرنے والا ہے؛ سوئے ہوئے بالکوں کو جگانے والا ہے؛ وہی آدی پُرُش ہے؛ آتما بخشنے والا (نجات بخش معرفت دینے والا) ہے؛ بھکتوں کا نِتّیہ سنگی ہے؛ اور یمُنا کے کنارے بھوجن کرنے والا ہے۔
Narada (in a didactic recitation of divine epithets within the Narada Purana’s dialogue framework)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
The verse compresses key salvific themes into divine epithets: the Lord removes grave sin and fear (Aghāsura’s destruction), restores life and awareness (awakening the boys), grants the highest good (ātma-prada—self-realization), and remains accessible through loving intimacy (saṃgī), grounding transcendence in Krishna’s līlā on the Yamunā.
Bhakti is shown as personal and relational: the Lord is “saṃgī,” the devotee’s constant companion, and His līlās (like dining on the Yamunā’s bank) become remembrance-anchors for nāma-smaraṇa and loving contemplation, which culminate in ātma-pradāna—liberating grace.
The practical takeaway is stotra/nāma-recitation as a disciplined practice: precise phrasing and correct recitation support mantra-like remembrance, aligning with Vedanga concerns for accurate verbal form (vyākaraṇa/śikṣā) even when the passage is primarily devotional.