The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
रत्नाकरजलक्रीडो व्रजलीलाप्रदर्शकः । स्वप्रतिज्ञापरिध्वंसी भीष्माज्ञापरिपालकः ॥ ११५ ॥
ratnākarajalakrīḍo vrajalīlāpradarśakaḥ | svapratijñāparidhvaṃsī bhīṣmājñāparipālakaḥ || 115 ||
جو رتناآکر کے پانیوں میں کِھیلتا ہے، جو وْرج کی لیلاؤں کو ظاہر کرتا ہے؛ جو اپنی ہی پرتِگیا کو بھی توڑ دیتا ہے اور بھیشم کی آج्ञا کو نبھاتا ہے—اسی پرمیشور کا سمرن و کیرتن کرو۔
Sanatkumara (teaching Narada in a Vishnu-stuti context within Book 1.3)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira
It presents concentrated epithets of the Lord showing that His līlā is both cosmic (sporting in the ocean) and intimate (Vraja), and that He prioritizes devotee-protection over even His own vows—making remembrance of Him a direct support for bhakti.
Bhakti here is nourished by nāma-smaraṇa through descriptive names: meditating on the Lord’s Vraja-līlā and His readiness to break His own pledge for a devotee builds trust (śraddhā) and surrender (śaraṇāgati).
Primarily the stotra/nāma tradition connected with correct recitation (Śikṣā) and word-formation/compound understanding (Vyākaraṇa): the verse uses dense compounds (samāsa) that are meant to be pronounced and contemplated accurately as part of devotional practice.