The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
सत्यापतिर्लक्ष्मणाजित्पूज्यो भद्राप्रियंकरः । नरका सुरघातीं च लीलाकन्याहरो जयी ॥ १०२ ॥
satyāpatirlakṣmaṇājitpūjyo bhadrāpriyaṃkaraḥ | narakā suraghātīṃ ca līlākanyāharo jayī || 102 ||
وہ سچائی کا مالک ہے؛ لکشمنہ کے لیے بھی ناقابلِ مغلوب، لائقِ پرستش؛ بھدرا کے لیے محبوب چیز عطا کرنے والا؛ نرکاسُر کا قاتل اور دیوتاؤں کے دشمنوں کو ہلاک کرنے والا؛ اور کھیل ہی کھیل میں لیلا کنیا کو لے جا کر فاتح ہے۔
Narada (in a didactic recitation of divine epithets within the Purva Bhaga’s technical/vedanga-oriented section)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It presents a cluster of divine epithets that function as a stotra-like remembrance: meditating on the Lord as truthful, worship-worthy, beneficent, and victorious is itself a bhakti practice that purifies intention and strengthens dharma.
Bhakti here is expressed through nāma-smaraṇa (remembering names): the devotee contemplates the Lord’s qualities—truth, protection, victory over demonic forces—and cultivates surrender and reverence through recitation.
The verse supports a Vedanga-adjacent practice of precise recitation and memorization (linked with Śikṣā and Vyākaraṇa in how names are preserved and pronounced), useful for stotra/namāvali-based worship and ritual chanting.