Mantra-Māhātmya and Sādhana of Kārtavīryārjuna
Nyāsa, Yantra, Homa, and Dīpa-Vrata
मायाकाशद्वयं वामनेत्रचंद्रयुतं शिवा । वेदादिकामचामुंडाः स्वाहा तु पूसबिंदुकौ ॥ ९० ॥
māyākāśadvayaṃ vāmanetracaṃdrayutaṃ śivā | vedādikāmacāmuṃḍāḥ svāhā tu pūsabiṃdukau || 90 ||
“مایا–آکاش” کے دوہرے کے ساتھ “شیوا” جوڑی جاتی ہے، اور وہ بائیں آنکھ کے چاند سے وابستہ ہے۔ “وید”، “آدی”، “کام” اور “چامُنڈا” جیسی شکتیوں کا اپنے اپنے مقام پر دھیان ہو؛ اور “سواہا” کو پُوشن کے دو بندوؤں کے ساتھ نِیاس کیا جائے۔
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It teaches a precise contemplative mapping (nyāsa) where divine powers and mantra-elements (like bindu and svāhā) are visualized in specific loci, aligning inner perception with cosmic deities such as the Moon and Pūṣan.
By prescribing disciplined remembrance and placement of divine names and powers, it turns ritual visualization into sustained devotion—training the mind to dwell on the deity’s form and attributes with steadiness.
Ritual-application knowledge: correct use of “svāhā” (yajña formula), and technical mantra anatomy (bindu, placements/nyāsa) linked with deity-correspondences—typical of Narada Purana’s Vedanga-oriented material in Book 1.3.