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Narada Purana — Purva Bhaga, Shloka 51

Mantra-Māhātmya and Sādhana of Kārtavīryārjuna

Nyāsa, Yantra, Homa, and Dīpa-Vrata

जन्यचूडा मणांते ये महाशक्तिमते ततः । सहस्रदहनप्रांते वर्मास्त्रांतो महामनुः ॥ ५१ ॥

janyacūḍā maṇāṃte ye mahāśaktimate tataḥ | sahasradahanaprāṃte varmāstrāṃto mahāmanuḥ || 51 ||

پھر اس عظیم قوت والے کے لیے ‘جنیہ چُوڑا’ سے شروع ہو کر ‘مَڻانت’ تک کے صیغے بیان ہوئے ہیں۔ اور ‘سہسردہن’ کے اختتام کے قریب ‘ورماستر’ پر ختم ہونے والا مہامنتر کہا گیا ہے۔

जन्य-चूडाJanya-cūḍā (name/epithet)
जन्य-चूडा:
Karta (कर्ता/Subject)
TypeNoun
Rootजन्य (प्रातिपदिक) + चूडा/चूड (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन/बहुवचन (पाठानुसार); कर्मधारय (name/epithet)
मण-अन्तेat the end (marked) by a jewel
मण-अन्ते:
Adhikarana (अधिकरण/Location)
TypeNoun
Rootमणि (प्रातिपदिक) + अन्त (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी-विभक्ति (Locative), एकवचन; तत्पुरुष (at the end of the jewel)
येwho/which (those who)
ये:
Karta (कर्ता/Subject)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, बहुवचन (Relative pronoun)
महाशक्तिमतेto the greatly powerful one
महाशक्तिमते:
Sampradana (सम्प्रदान/Recipient)
TypeAdjective
Rootमहाशक्तिमत् (प्रातिपदिक)
Formपुंलिङ्ग, चतुर्थी-विभक्ति (Dative), एकवचन; बहुव्रीहि (one possessing great power)
ततःthen; thereafter
ततः:
Sambandha (सम्बन्ध/adverbial)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय; अव्यय-प्रयोग (then/from there)
सहस्र-दहन-प्रान्तेat the far end of the thousand-burnings
सहस्र-दहन-प्रान्ते:
Adhikarana (अधिकरण/Location)
TypeNoun
Rootसहस्र (संख्या-प्रातिपदिक) + दहन (प्रातिपदिक) + प्रान्त (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी-विभक्ति, एकवचन; तत्पुरुष (at the boundary/end of ‘thousand-burnings’)
वर्मास्त्र-अन्तःthe end/culmination of the Varmāstra
वर्मास्त्र-अन्तः:
Karta (कर्ता/Subject)
TypeNoun
Rootवर्मास्त्र (प्रातिपदिक) + अन्त (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; तत्पुरुष (the end/limit of Varmāstra)
महामनुःthe great Manu
महामनुः:
Karta (कर्ता/Subject)
TypeNoun
Rootमहामनु (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; कर्मधारय (great Manu)

Sanatkumara (in dialogue with Narada)

Vrata: none

Primary Rasa: adbhuta

Secondary Rasa: shanta

N
Narada
S
Sanatkumara

FAQs

It preserves a traditional archival method: mantras are authenticated and transmitted by their opening and closing markers, ensuring correct recitation and lineage-accuracy in ritual practice.

Bhakti here is supported by disciplined practice—devotional worship becomes effective when mantra-recitation is precise, properly identified, and performed according to the transmitted order.

It reflects technical cataloging used in ritual and recitation—akin to Vedanga-style precision—where mantra sections are referenced by incipits/endings for correct deployment in rites involving protective ‘varma’ and ‘astra’ formulae.