Hanumān-mantra-kathana: Mantra-bheda, Nyāsa, Yantra, and Prayoga
मनुः स्वरेंदुसंयुक्तं गगनं च भगान्विताः । हसफाग्निनिशाधीशाःद्वितीयं बीजमीरितम् ॥ २ ॥
manuḥ svareṃdusaṃyuktaṃ gaganaṃ ca bhagānvitāḥ | hasaphāgniniśādhīśāḥdvitīyaṃ bījamīritam || 2 ||
‘منُو’ کو ‘سْوَر’ اور ‘اِندو’ کے ساتھ ملا دو، اور ‘گگن’ کو ‘بھگ’ کے ساتھ یُکت کرو؛ نیز ‘ہ-س-ف’ کو ‘اگنی’ اور ‘نِشادھیش’ (چاند) کے ساتھ—یہ دوسرا بیج منتر بیان کیا گیا ہے۔ ۲
Sanatkumara (in instruction to Narada on technical mantra/phonetic formulation within Vedanga context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It presents a technical (Vedanga-style) method of forming a specific bīja (seed-mantra) through prescribed syllabic and symbolic combinations, emphasizing precision of sound as spiritually efficacious.
Indirectly: it supports bhakti practice by supplying correct mantra-structure and phonetic discipline, which traditional devotion treats as essential for focused remembrance and effective japa.
Śikṣā (Vedic phonetics/intonation) and mantra-vidhi: combining terms/syllables (including svara) to specify a bīja used in ritual recitation or contemplative japa.