The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
षड्वीर्ययामाय यातु ध्रुवपंचार्णयुक्तया । षडंगानि विधायाथ ध्यायेद्धृदि सुरार्चितम् ॥ ११५ ॥
ṣaḍvīryayāmāya yātu dhruvapaṃcārṇayuktayā | ṣaḍaṃgāni vidhāyātha dhyāyeddhṛdi surārcitam || 115 ||
چھ قوتوں والے رب کے نام والے منتر کے ساتھ، ثابت پانچ حرفی منتر کو ملا کر سالک آگے بڑھے۔ پھر شڈنگ نیاس کر کے، دیوتاؤں کے پوجے ہوئے پروردگار کا دل میں دھیان کرے۔
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches that mantra-practice becomes spiritually effective when joined with inner contemplation: after correctly applying the mantra with its six aṅgas (protective/empowering nyāsa), one must culminate in heart-centered meditation on the divine presence revered even by the devas.
Bhakti here is not only recitation; it is disciplined worship that ends in dhyāna—placing the beloved Deity in the heart. The verse links external ritual precision (mantra + aṅgas) with internal devotion (meditation), a hallmark of Narada Purana’s devotional method.
It highlights technical mantra-vidhi used in ritual science: employing a fixed five-syllabled mantra and performing ṣaḍaṅga-nyāsa (hṛdaya, śiras, śikhā, kavaca, netra, astra), a structured application connected to Vedic ritual discipline and correct phonetic/mantric procedure.