The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
वह्निः शेषासनो भांतः केवलो द्व्यक्षरो मनुः । एकाक्षरोक्त वत्सर्वं मुनिध्यानार्चनादिकम् ॥ १०९ ॥
vahniḥ śeṣāsano bhāṃtaḥ kevalo dvyakṣaro manuḥ | ekākṣarokta vatsarvaṃ munidhyānārcanādikam || 109 ||
‘وہنی’، ‘شیشاسن’، ‘بھانت’ اور ‘کیول’—یہ دو حرفی مقدس منتر ہیں۔ مگر ایک حرفی منتر میں ہی منیوں کا دھیان، ارچن وغیرہ تمام سادھنائیں بیان کی گئی ہیں۔
Narada (instructional discourse within Vedanga/Mantra-vidya section; traditionally framed in Narada–Sanatkumara dialogue)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It teaches mantra-hierarchy: many devotional and contemplative practices are said to be gathered into the potency of a single-syllable mantra, while certain divine epithets function as concise two-syllable mantras.
By presenting divine names like Śeṣāsana and Bhānta as mantras, it frames bhakti as name-based upāsanā—meditation and worship centered on the Lord—condensed into powerful mantra-forms.
A mantra-śāstra/phonetic (śikṣā-like) insight: the count of syllables (akṣara) matters, and specific akṣara-mantras are linked to defined ritual and meditative applications (dhyāna, arcana).