The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
मुनिध्यानार्चनं चास्य प्रोक्तं सर्वं षडर्णवत् । रामांते चंद्रभद्रौ च ङेंतौ पावकवल्लभा ॥ १०२ ॥
munidhyānārcanaṃ cāsya proktaṃ sarvaṃ ṣaḍarṇavat | rāmāṃte caṃdrabhadrau ca ṅeṃtau pāvakavallabhā || 102 ||
اس کے مُنی-دھیان اور اَرچن کی ساری باتیں چھے اَکشری طریقے کے مطابق بیان کی گئی ہیں۔ آخر میں ‘راما’ ہے؛ اور ‘چندر بھدرا’ نیز ‘ںےمتَو’ اور ‘پاوک وَلّبھا’ بھی ہیں۔
Narada (teaching within a technical/Vedanga-mantra discussion to the Sanatkumara tradition)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It links inner practice (dhyāna) and outer practice (arcana) to a precisely defined mantra-form (ṣaḍarṇa), showing that devotion in the Narada Purana is supported by correct mantra-structure and disciplined upāsanā.
Bhakti here is presented as organized worship: meditation on the deity/mantra and formal offering (arcana), anchored in a named, repeatable formula—so devotion becomes steady, transmissible, and effective in practice.
Mantra-technical knowledge tied to Śikṣā/Vyākaraṇa-style precision: counting syllables (ṣaḍarṇa), placing elements in sequence (e.g., ‘Rāmā’ at the end), and preserving specific phonemic units (like ‘ṅeṃ’), which is essential for correct recitation and ritual use.