The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
क्षौं नृसिंहरूपधारिन् ॐ क्लं श्लश्च स्वरादिकः । ष्टाङ्गविन्यासविन्यस्तमूर्तिधारिंस्ततश्च फट् ॥ २०० ॥
kṣauṃ nṛsiṃharūpadhārin oṃ klaṃ ślaśca svarādikaḥ | ṣṭāṅgavinyāsavinyastamūrtidhāriṃstataśca phaṭ || 200 ||
پکارو—“کْشَوں، اے نرسِمہ روپ دھارن کرنے والے؛ اوم؛ کْلَم؛ شْل”—حروفِ علت سے آغاز کرتے ہوئے۔ شڈنگ نیاس سے قائم شدہ مُورت دھاری دیوتا کا دھیان کر کے آخر میں “پھٹ” کہو۔
Sanatkumara (teaching Nārada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It encodes a protective Nṛsiṃha invocation using bīja-syllables and nyāsa, indicating that devotion is strengthened by disciplined mantra-vidhi and inner installation of the deity’s form.
Bhakti here is expressed as focused remembrance and invocation of Nṛsiṃha, supported by ritual precision (nyāsa and seed-syllables) so the devotee’s body-mind becomes a seat of Viṣṇu’s presence.
Śikṣā (phonetics) is implied by “svarādikaḥ” (vowel-based sequence) and correct utterance of mantra-syllables; ritual application is shown through ṣaḍaṅga/‘six-limbed’ nyāsa and the use of “phaṭ” for protection.