The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
सहस्रार्णं महामन्त्रं वक्ष्ये तन्त्रेषु गोपितम् । तारो माया रमा कामो बीजं क्रोधपदं ततः ॥ १६२ ॥
sahasrārṇaṃ mahāmantraṃ vakṣye tantreṣu gopitam | tāro māyā ramā kāmo bījaṃ krodhapadaṃ tataḥ || 162 ||
میں تَنتروں میں پوشیدہ رکھے گئے ہزار حرفی مہامنتَر کا بیان کرتا ہوں۔ اس کے بیج ہیں—تار، مایا، رما، کام؛ اور پھر اس کے بعد کرودھ کا پد۔
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It frames mantra-vidyā as a guarded, potent discipline: a “mahāmantra” is transmitted through an authorized lineage and is built from specific bīja-elements, indicating controlled spiritual power rather than casual recitation.
While the verse is technical, it implies that devotion is supported by disciplined practice—sacred sound (mantra) is treated as a precise vehicle for focusing the mind on divinity (e.g., Ramā/Lakṣmī as a divine principle) under proper guidance.
It highlights mantra-construction using bīja terminology and coded epithets—an applied, technical side of sacred phonetics and ritual practice aligned with Vedāṅga-style precision (especially śikṣā/phonetics and kalpa/ritual method).