Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
नारायणं चक्रमतस्तत्त्वानि द्वादशैव तु । मूलार्णहृत्परायाद्यमात्मने हृदयांतिमम् ॥ ८० ॥
nārāyaṇaṃ cakramatastattvāni dvādaśaiva tu | mūlārṇahṛtparāyādyamātmane hṛdayāṃtimam || 80 ||
چکر دھاری نارائن کے لیے یقیناً بارہ تتّو ہیں۔ مول اَکشَر سے آغاز کر کے دل کے آخری باطنی جوہر تک، انہیں آتما میں وِنیاست کرے۔
Narada (teaching within the Narada–Sanatkumara dialogue framework)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It frames Nārāyaṇa-upāsanā as a structured inner ascent: from the mantra’s root-syllable (bīja) through graded principles (tattvas) to realization centered in the heart, oriented toward the Self.
Bhakti here is disciplined worship: devotion to Nārāyaṇa (the cakra-bearing Lord) expressed through mantra-japa and inward contemplation, bringing the devotee from sound (mūlārṇa) to heartfelt absorption (hṛdaya).
It reflects mantra-vidyā and phonetic/semantic discipline—key to Śikṣā (sound/recitation) and Vyākaraṇa/Nirukta-style attention to syllables and meaning—applied to meditation on bīja, tattva, and heart-centered upāsanā.