Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
उद्यद्दोः परिधं दिव्यं सितदंष्ट्राग्रभूधरम् । स्वर्णाभं पार्थिवे पीते मंडले सुसमाहितः ॥ १२८ ॥
udyaddoḥ paridhaṃ divyaṃ sitadaṃṣṭrāgrabhūdharam | svarṇābhaṃ pārthive pīte maṃḍale susamāhitaḥ || 128 ||
کامل یکسوئی کے ساتھ پارثِو زرد منڈل میں اُس الٰہی درخشاں قرص کا دھیان کرے—جس کی محیط روشن ہے، جو سنہری رنگ کا ہے، اور جس کے سفید دانتوں کے نوک پہاڑ کی چوٹیوں جیسے ہیں۔
Narada (in a didactic passage aligned with Vedanga-style technical description/visualization)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It emphasizes disciplined dhyāna: fixing the mind (susamāhita) on a precisely described divine form within a maṇḍala, using color and structure as supports for steady contemplation.
Bhakti is expressed here as reverent, form-based contemplation—holding a vivid divine image in the heart-mind—so devotion matures into one-pointed absorption rather than remaining merely verbal praise.
A technical, almost yantra/maṇḍala-style method: using defined visual parameters (paridhi, colors like pīta and svarṇa) as a practical aid for concentration, aligning with Vedanga-adjacent disciplines that systematize ritual and contemplative procedure.