Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
अरुणाब्जासनस्थस्य तार्क्ष्यस्योपरि संस्थितम् । पूर्वोक्तरूपिणं देवं श्रीकरं लोकमोहनम् ॥ १०४ ॥
aruṇābjāsanasthasya tārkṣyasyopari saṃsthitam | pūrvoktarūpiṇaṃ devaṃ śrīkaraṃ lokamohanam || 104 ||
سرخ کنول کے آسن پر جلوہ گر، تارکشیہ (گرُڑ) کے اوپر قائم، پہلے بیان کردہ صورت والے اُس دیو کا دھیان کرے—جو شری بخشنے والا اور جہانوں کو مسحور کرنے والا ہے۔
Narada (teaching/description within the Narada–Sanatkumara dialogue framework)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It directs the mind to a precise dhyāna-image of the Supreme Deity—seated on a lotus and above Garuḍa—so devotion becomes steady, auspicious (śrīkara), and world-transcending even while acknowledging the Deity’s power to enchant the worlds (lokamohana).
Bhakti is strengthened through remembrance (smaraṇa) and visualization (dhyāna) of the Lord’s form as taught earlier; focusing on the auspicious, prosperity-bestowing Lord seated above Garuḍa provides a concrete support for loving contemplation.
It reflects the practical use of dhyāna-lakṣaṇa (meditative iconography) employed alongside ritual and mantra recitation—an applied, technical method often paired with correct pronunciation and usage (Śikṣā/Vyākaraṇa-supported practice) in Purāṇic-vedic disciplines.