Narada Purana — Purva Bhaga, Shloka 91
Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
नाभौ हृदि शिरस्यारं वक्रे भूमिजमेव च । विन्यस्यैवं निजे देहे ध्यायेत्प्राग्वद्धरात्मजम् ॥ ९१ ॥
nābhau hṛdi śirasyāraṃ vakre bhūmijameva ca | vinyasyaivaṃ nije dehe dhyāyetprāgvaddharātmajam || 91 ||
ناف، دل اور سر میں ‘اَر’ (چکر کی تیلی) کا نیاس کرے، اور خمیدہ مقام میں ‘بھومِج’ کو بھی قائم کرے۔ یوں اپنے بدن میں رکھ کر، پہلے کی طرح دھراتمج کا دھیان کرے۔
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
FAQs
It teaches internalization of worship: by performing nyāsa—installing sacred loci within the body—the practitioner turns the body into a ritual field and then meditates steadily on Dharā’s son according to the previously given method.
Bhakti here is expressed as embodied upāsanā: devotion is made concentrated and intimate by placing the deity and support-points within oneself, so meditation becomes continuous remembrance rather than only external ritual.
It reflects technical upāsanā procedure (nyāsa and dhyāna-viniyoga), a ritual-application style often taught alongside Vedāṅga-informed disciplines where precise placement, sequence, and prescribed method (“prākvat”) are essential.