Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
कुंडलां गदकेयूरहारिणं च त्रयीतनुम् । ध्यात्वैवं प्रजपेन्मंत्री वसुलक्षं दशांशतः ॥ २१ ॥
kuṃḍalāṃ gadakeyūrahāriṇaṃ ca trayītanum | dhyātvaivaṃ prajapenmaṃtrī vasulakṣaṃ daśāṃśataḥ || 21 ||
کُنڈل، گدا، کیور اور ہار سے آراستہ، اور جن کا جسم تریی ویدمَی ہے—ایسے ربّ کا یوں دھیان کر کے، منترسাধک منتر کا جپ آٹھ لاکھ بار کرے اور اس کا دسواں حصہ ہون/قربانی کے طور پر अर्पित کرے۔
Sage Sanatkumara (in instruction to Narada, within a ritual-technical discourse)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira
It links dhyāna (visualizing the Veda-embodied Lord with divine ornaments) to disciplined japa, showing that inner contemplation and precise repetition together complete a valid sādhana.
Bhakti here is practiced as loving remembrance: the devotee meditates on Vishnu’s auspicious form and then sustains that devotion through large-scale japa, making worship continuous and focused.
It highlights ritual quantification and completion rules—specific japa-saṅkhyā (vasulakṣa) and the daśāṁśa principle (one-tenth portion) commonly applied for concluding offerings in mantra-sādhanā.