Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
बृंहस्पतिपदं ङेंऽतं सेंद्वाद्यर्णाघमंडितम् । नमोंतो वसुवर्णोऽयं मुनिर्ब्रह्मास्य संमतः ॥ १२८ ॥
bṛṃhaspatipadaṃ ṅeṃ'taṃ seṃdvādyarṇāghamaṃḍitam | namoṃto vasuvarṇo'yaṃ munirbrahmāsya saṃmataḥ || 128 ||
یہ مُنی برہما کی منظوری سے سونے جیسی درخشانی رکھتا ہے۔ اس کا نام لفظ ‘بِرہسپتی’ سے بنتا ہے؛ آخر میں ‘ङें’ کی ہجا، ابتدا میں ‘سें’ اور ‘دوا’ وغیرہ حروف سے مزین، اور آخر میں ‘نموं’ پر ختم ہوتا ہے۔
Narada (teaching in a Vedanga/technical register; dialogue frame traditionally with Sanatkumara lineage)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It emphasizes that sacred identity and authority (a rishi’s recognized status) are linked with mantra-sound structure and Brahmā’s sanction, highlighting the Purāṇa’s Vedāṅga-oriented reverence for śabda (sacred sound).
Indirectly: it shows that bhakti-practice in Purāṇic tradition often rests on precise mantra and name-forms; correct utterance and sanctioned formulae support devotional recitation and worship.
Śikṣā/Vyākaraṇa-style attention to syllables and endings—how names/mantras are built from specific akṣaras (phonemes) and how such formations are treated as meaningful and authoritative.