Devapūjā-krama: Ārghya-saṃskāra, Maṇḍala–Nyāsa, Mudrā-pradarśana, Āvaraṇa-arcana, Homa, Japa, and Kṣamāpaṇa
अमुकार्ध्यामृतायेति हृन्मनुश्चार्ध्यपूजने । तत्र षोडशसंख्याका यजेञ्चंद्रमसः कलाः ॥ १७ ॥
amukārdhyāmṛtāyeti hṛnmanuścārdhyapūjane | tatra ṣoḍaśasaṃkhyākā yajeñcaṃdramasaḥ kalāḥ || 17 ||
اَرغیہ پوجا میں ‘اَمُکارغیامرتائے’ سے شروع ہونے والا ہِرن منتر پڑھا جائے۔ وہاں چاند کی سولہ کلاؤں کی ترتیب سے پوجا کی جائے॥۱۷॥
Sanatkumara (in instruction to Narada, within the Vedanga/ritual-technical discourse)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It links outer ritual (arghya) with inner recitation (hṛnmanu), teaching that correct mantra-intent and precise worship of cosmic principles—here, the Moon’s kalās—refine the practitioner toward amṛta (spiritual vitality/immortality).
Bhakti is expressed through disciplined upāsanā: offering arghya with a focused heart-mantra and honoring the Moon’s divine aspects (kalās) as a sacred manifestation within the ordered cosmos.
Jyotiṣa-oriented ritual timing and lunar doctrine are implied by the ‘sixteen kalās’ of the Moon, alongside mantra-application rules (prayoga) used in formal worship procedures.