The Explanation of Sandhyā and Related Daily Observances
Saṅdhyā-ādi Nitya-karma-Vidhi
श्यामरङ्गां चतुर्हस्तां शङ्खचक्रलसत्कराम् । गदापद्मधारां देवीं सूर्यासनकृताश्रयाम् ॥ ७३ ॥
śyāmaraṅgāṃ caturhastāṃ śaṅkhacakralasatkarām | gadāpadmadhārāṃ devīṃ sūryāsanakṛtāśrayām || 73 ||
سیاہ فام، چار بازوؤں والی، جن کے ہاتھوں میں شَنکھ اور چکر جگمگاتے ہیں، جو گدا اور پدم دھارے ہوئے ہے، اور جو سورج کے آسن پر جلوہ گر ہے—اس دیوی کا دھیان کرے۔
Narada (instructional narration within a technical/ritual context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It gives a precise dhyāna (meditative iconography) of the Devī—color, number of arms, emblems, and seat—so the worshipper’s mind becomes steady and one-pointed before mantra and ritual proceed.
Bhakti here is expressed as contemplative remembrance: visualizing the deity’s form and attributes (āyudha and āsana) nurtures reverence and intimate devotion, making worship heartfelt rather than merely procedural.
It reflects ritual-technical practice used in mantra-śāstra and kalpa-style procedure: a dhyāna-śloka that standardizes visualization prior to japa and pūjā, ensuring correct form (rūpa) and focused recitation.