Narada Purana — Purva Bhaga, Shloka 61
Dīkṣā, Mantra-Types, Mantra-Doṣas, and Qualifications of Ācārya–Śiṣya
योनिमुद्रासने स्थित्वा प्रजपेद्यः समाहितः । यं कंचिदपि वा मंत्रं तस्य स्युः सर्वसिद्धयः ॥ ६१ ॥
yonimudrāsane sthitvā prajapedyaḥ samāhitaḥ | yaṃ kaṃcidapi vā maṃtraṃ tasya syuḥ sarvasiddhayaḥ || 61 ||
یونی مُدرَا آسن میں بیٹھ کر جو شخص یکسوئیِ دل کے ساتھ کسی بھی منتر کا جپ کرے، اس کے لیے تمام سِدھیاں حاصل ہو جاتی ہیں۔
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
FAQs
It emphasizes that mantra-japa becomes efficacious when supported by yogic discipline—right posture (āsana/mudrā) and deep mental collectedness (samādhi-like focus), leading to spiritual and yogic attainments.
While framed as a technical sādhana, it supports bhakti by teaching steady, concentrated repetition of a chosen mantra; such one-pointed japa is a core devotional practice when the mantra is aligned to one’s iṣṭa-devatā.
It highlights prayoga (practical application) of mantra through disciplined japa—linking technical yogic procedure (āsana/mudrā and mental steadiness) to measurable results (siddhi), a hallmark of the Third Pada’s technical orientation.