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Narada Purana — Purva Bhaga, Shloka 65

Bhakti-Śraddhā-Ācāra-Māhātmya and the Commencement of the Mārkaṇḍeya Narrative

विकचाम्बुजपत्राक्षं सूर्य्यकोटिसमप्रभम् । सर्वालङ्कारसंयुक्तं श्रीवत्साङ्कितवक्षसम् ॥ ६५ ॥

vikacāmbujapatrākṣaṃ sūryyakoṭisamaprabham | sarvālaṅkārasaṃyuktaṃ śrīvatsāṅkitavakṣasam || 65 ||

اُن کی آنکھیں کھلے ہوئے کنول کے پتّوں جیسی تھیں؛ اُن کی روشنی کروڑوں سورجوں کے برابر تھی۔ وہ ہر زیور سے آراستہ تھے اور سینے پر مقدّس شریوتس کا نشان جگمگا رہا تھا۔

vikaca-ambuja-patra-akṣamWhose eyes are like petals of a blooming lotus
vikaca-ambuja-patra-akṣam:
Visheshana (Adjective/विशेषण)
TypeAdjective
Rootvikaca-ambuja-patra-akṣa (प्रातिपदिक)
FormMasculine, Accusative (2nd/द्वितीया), Singular
sūrya-koṭi-sama-prabhamWhose radiance equals ten million suns
sūrya-koṭi-sama-prabham:
Visheshana (Adjective/विशेषण)
TypeAdjective
Rootsūrya-koṭi-sama-prabha (प्रातिपदिक)
FormMasculine, Accusative (2nd/द्वितीया), Singular
sarva-alaṅkāra-saṃyuktamEndowed with all ornaments
sarva-alaṅkāra-saṃyuktam:
Visheshana (Adjective/विशेषण)
TypeAdjective
Rootsarva-alaṅkāra-saṃyukta (प्रातिपदिक)
FormMasculine, Accusative (2nd/द्वितीया), Singular
śrīvatsa-aṅkita-vakṣasamWhose chest is marked by the Shrivatsa symbol
śrīvatsa-aṅkita-vakṣasam:
Visheshana (Adjective/विशेषण)
TypeAdjective
Rootśrīvatsa-aṅkita-vakṣas (प्रातिपदिक)
FormMasculine, Accusative (2nd/द्वितीया), Singular

Sanatkumara (teaching Narada)

Vrata: none

Primary Rasa: adbhuta

Secondary Rasa: bhakti

V
Vishnu
S
Shrivatsa

FAQs

It presents a dhyāna (meditative) portrait of Viṣṇu—lotus-eyed, infinitely radiant, and bearing Śrīvatsa—so the devotee can fix the mind on a concrete, auspicious form that purifies attention and awakens bhakti.

Bhakti is supported by loving contemplation of the Lord’s guṇas and rūpa (qualities and form). By remembering His lotus eyes, sun-like splendor, and sacred emblems, the devotee develops reverence (bhāva) and steady remembrance (smṛti).

This verse mainly functions as a dhyāna-description rather than a technical Vedāṅga teaching; its practical takeaway aligns with mantra-upāsanā and iconographic meditation used in ritual worship (pūjā) and visualization.