Yajñamālī–Sumālī Upākhyāna: Merit-Transfer through Temple Plastering (Lepa) and the Redemption of a Sinner
व्याहरन्हरिनामानि प्रपेदे जाह्नवीतटम् । तत्र स्नातश्च गंगायां दृष्ट्वा विश्वेश्वरं प्रभुम् ॥ ५५ ॥
vyāharanharināmāni prapede jāhnavītaṭam | tatra snātaśca gaṃgāyāṃ dṛṣṭvā viśveśvaraṃ prabhum || 55 ||
وہ ہری کے ناموں کا ورد کرتا ہوا جاہنوی (گنگا) کے کنارے پہنچا۔ وہاں گنگا میں غسل کر کے اس نے پروردگار وِشوَیشور کے درشن کیے۔
Narada (within the Narada–Sanatkumara dialogue framework; narrative voice describing the act)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It links three classical purāṇic means of purification—Hari-nāma (chanting), tīrtha-yātrā (reaching the Gaṅgā), and snāna (ritual bath)—culminating in darśana of the Lord, showing devotion ripening into direct spiritual vision.
Bhakti is shown as active remembrance: continuous utterance of Hari’s names accompanies the journey, and that sustained nāma-smaraṇa prepares the devotee for sacred action (Gaṅgā-snān) and the grace of beholding the Lord (Viśveśvara).
The verse primarily reflects kalpa-style practice (ritual conduct): tīrtha-snān as a dhārmic observance, supported by disciplined recitation (nāma-japa). It is not a technical exposition of vyākaraṇa or jyotiṣa in this line.