Śuka’s Yoga-ascent, the Echo of ‘Bhoḥ’, and the Vaikuṇṭha Vision
आदित्यसोमनेत्राय सहओजोबलाय च । ईज्याय साक्षिणेऽजायबहुशीर्षांघ्रिबाहवे ॥ ५८ ॥
ādityasomanetrāya sahaojobalāya ca | ījyāya sākṣiṇe'jāyabahuśīrṣāṃghribāhave || 58 ||
نمسکار ہے اُس کو جس کی آنکھیں آدتیہ اور سوم ہیں؛ جو ساہس، اوج اور بَل سے یُکت ہے؛ پوجنیہ ساکشی کو نمسکار؛ اور اُس اَجَنما پرمیشور کو نمسکار جس کے بہت سے سر، پاؤں اور بازو ہیں۔
Narada (in a hymn of praise within the Narada–Sanatkumara dialogue)
Vrata: none
Primary Rasa: adbhuta (wonder)
Secondary Rasa: bhakti
It presents the Lord as the cosmic and all-pervading Reality—Sun and Moon as His eyes and the universe as His many-limbed form—while emphasizing His role as the inner Witness (sākṣin), a key contemplation for moksha.
Bhakti here is expressed through nāma–guṇa stuti (praise by divine attributes): worshipping the Lord as ījya (worthy of worship) and remembering Him as aja (unborn) and sākṣin (witness) stabilizes devotion beyond mere external ritual.
While not teaching a specific Vedanga directly, it reflects Upasana-style usage of cosmic correspondences (Sun/Moon imagery) that commonly supports ritual contemplation and mantra-meaning alignment (nirukta/arthavāda sense) in Vedic practice.