Śuka’s Yoga-ascent, the Echo of ‘Bhoḥ’, and the Vaikuṇṭha Vision
दिव्यैर्हंसकुलैर्घुष्टाः स्वच्छांबुनिभृताः सदा । तत्र द्वाःस्थैश्चतुर्हस्तेनार्नाभरणभूषितैः ॥ ४५ ॥
divyairhaṃsakulairghuṣṭāḥ svacchāṃbunibhṛtāḥ sadā | tatra dvāḥsthaiścaturhastenārnābharaṇabhūṣitaiḥ || 45 ||
وہ حوض آسمانی ہنسوں کے نغموں سے گونجتے اور ہمیشہ شفاف پانی سے بھرے رہتے ہیں۔ وہاں دروازے پر چار ہاتھوں والے دربان طرح طرح کے زیورات سے آراستہ کھڑے ہیں۔
Narada
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It uses sacred imagery—pure waters, swans, and divine guardians—to portray the purity and protected sanctity of the Lord’s realm, encouraging the seeker to aspire for inner clarity and God-realization (moksha).
By depicting the Lord’s abode as orderly, luminous, and guarded, it implies that devotion is a disciplined approach to the Divine—purifying the heart (svaccha) and steadily moving toward the Lord’s presence.
No specific Vedanga (like Vyakarana or Jyotisha) is taught directly; the practical takeaway is dharmic visualization and contemplative focus used in bhakti practice—purity, steadiness, and reverence for sacred space.