Narada Purana — Purva Bhaga, Shloka 75
Vyākaraṇa-saṅgraha: Pada–Vibhakti–Kāraka–Lakāra–Samāsa
अदेवीददेवीष्यत्सुनोति सुषाव सोता सोष्यति वै । सुनोत्वसुनोत्सुनुयात्सूयादशावीदसोष्युत्तुदति च ॥ ७५ ॥
adevīdadevīṣyatsunoti suṣāva sotā soṣyati vai | sunotvasunotsunuyātsūyādaśāvīdasoṣyuttudati ca || 75 ||
‘اَدَیویت’، ‘اَدَیویشْیَت’; ‘سُنوति’، ‘سُشاو’; ‘سوتا’، ‘سوشْیَتی’—یہ صیغے ہیں۔ ‘سُنو تُ’، ‘اَسُنوَت’، ‘سُنُیَات’، ‘سُویات’; ‘اَشاویت’، ‘اَسوشْیُت’; اور ‘تُدَتی’—یہ بھی دھاتوی صیغوں کی مثالیں ہیں۔
Sanatkumara (teaching Narada in a Vedanga/linguistic illustration within Moksha-Dharma instruction)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: vira
FAQs
It shows how precise speech and correct verbal forms (śabda-śuddhi) support Vedic discipline—training the mind toward clarity, which is treated as an aid to Moksha-oriented practice.
Indirectly: Bhakti in the Purana is strengthened by correct mantra/ritual language; this verse illustrates the disciplined use of sacred speech that traditionally accompanies devotion and worship.
Vyākaraṇa (grammar) and Śikṣā (phonetics/recitation) via conjugational varieties around the Soma-pressing action—showing tense/mood distinctions used in ritual language.