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Shloka 3

Matsya Purana — Iconographic Standards for the Navagrahas

रक्तमाल्याम्बरधरः शक्तिशूलगदाधरः चतुर्भुजः श्वेतरोमा वरदः स्याद् धरासुतः //

raktamālyāmbaradharaḥ śaktiśūlagadādharaḥ caturbhujaḥ śvetaromā varadaḥ syād dharāsutaḥ //

دھرا سُت کو سرخ مالا اور سرخ لباس پہنے ہوئے، نیزہ (شکتی)، ترشول اور گدا تھامے ہوئے؛ چار بازوؤں والا، سفید بال/سفید روئیں والا، اور ورَد دینے والے روپ میں دکھانا چاہیے۔

raktared
rakta:
mālyāmbara-dharaḥwearing garland and garments
mālyāmbara-dharaḥ:
śaktispear/lance
śakti:
śūlatrident
śūla:
gadāmace/club
gadā:
-dharaḥbearing/holding
-dharaḥ:
catur-bhujaḥfour-armed
catur-bhujaḥ:
śveta-romāwhite-haired/white-bodied (lit. ‘white hair’)
śveta-romā:
varadaḥboon-giver
varadaḥ:
syātshould be/is to be
syāt:
dharā-sutaḥ‘son of the Earth’ (name/epithet of the deity to be iconographically formed)
dharā-sutaḥ:
Lord Matsya (in instruction to Vaivasvata Manu on iconography)
Dharāsuta
IconographyPratima LakshanaVastu ShastraTemple MurtiRitual Art

FAQs

This verse does not discuss Pralaya; it gives iconographic specifications (color, arms, weapons, and boon-bestowing gesture) for depicting a deity called Dharāsuta.

Indirectly, it supports dharma through correct temple patronage: a king or householder should commission and worship properly formed images according to śāstric marks, ensuring ritually valid public and domestic worship.

It is a pratima-lakṣaṇa rule: the deity’s murti should be made with specific color symbolism (red attire/garland), four arms, and prescribed weapons (spear, trident, mace), with a varada (boon-giving) aspect—key for temple installation and consecration rites.