Shloka 5
Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
पुत्रावूचतुः इत्येवं वादिभिः पौरैः पुरः पृष्ठे च संवृतः ।
तत्क्षणप्रभवानन्दः प्रविवेश पितुर्गृहम् ॥
putrāv ūcatuḥ ityevaṃ vādibhiḥ pauraiḥ puraḥ pṛṣṭhe ca saṃvṛtaḥ | tat-kṣaṇa-prabhavānandaḥ praviveśa pitur gṛham ||
شہریوں نے آگے پیچھے سے اسے گھیر کر یوں کہا؛ وہ اسی لمحے پیدا ہونے والی خوشی کے ساتھ اپنے باپ کے گھر میں داخل ہوا۔
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FAQs
The Purāṇic ideal of a hero is socially embedded: public welfare and familial duty converge in the image of the welcomed return.
Ākhyāna/Upākhyāna; supportive narrative material rather than sarga/manvantara data.
Entering the father’s house can be read as a return to ‘origin’ (kāraṇa), a motif often preceding revelation—here, the revelation of loss and the arising of remorse.