Shloka 67
योग–सांख्यसमन्वयः, रथोपमा, व्यक्त–अव्यक्तविवेकः
Yoga–Sāṃkhya Synthesis, Chariot Allegory, and the Vyakta–Avyakta Distinction
Devanagari script
हारमाभरणं वेषं गतं स्थितमवेक्षितम्
Transliteration
hāram ābharaṇaṃ veṣaṃ gataṃ sthitam avekṣitam
Translation
شکر نے کہا—میں نے ہار، زیورات اور لباس کو دیکھا ہے—وہ کیسے چلتے ہیں اور کیسے ٹھہرتے ہیں؛ کیسے پہنے جاتے ہیں اور کیسے اتار کر رکھ دیے جاتے ہیں۔
Word by Word
हारम्necklace
हारम्:
Karma
TypeNoun
Rootहार
FormMasculine, Accusative, Singular
आभरणम्ornament, jewelry
आभरणम्:
Karma
TypeNoun
Rootआभरण
FormNeuter, Accusative, Singular
वेषम्dress, attire
वेषम्:
Karma
TypeNoun
Rootवेष
FormMasculine, Accusative, Singular
गतम्gone; movement (going)
गतम्:
Karma
TypeAdjective
Rootगम्
FormPast passive participle (क्त), Neuter, Accusative, Singular
स्थितम्stood; posture (standing)
स्थितम्:
Karma
TypeAdjective
Rootस्था
FormPast passive participle (क्त), Neuter, Accusative, Singular
अवेक्षितम्observed, looked at
अवेक्षितम्:
Karma
TypeAdjective
Rootअव-ईक्ष्
FormPast passive participle (क्त), Neuter, Accusative, Singular
Speaker
शक्र उवाच
Characters & Entities
Ś
Śakra (Indra)H
hāra (necklace)Ā
ābharaṇa (ornaments)V
veṣa (attire)Character Dynamics
Dharma Sankata (Moral Dilemma)
Verse Rasa (Emotional Essence)
Philosophical Teaching
Political Layer
Meter (Chandas)
Sandhi Notes
Educational Q&A
External markers—jewelry, dress, and display—are transient and contingent; ethical worth and inner steadiness are not to be measured by such changeable appearances.
Indra (Śakra) speaks reflectively, describing his observation of ornaments and attire in their changing states—worn, removed, coming and going—using them as a cue to consider the instability of outward status.