Shloka 21

ब्रह्मकृत-ईशानस्तवः तथा विश्वरूपदेवी-प्रकृतिरहस्योपदेशः

Devanagari script

चतुःशृङ्गी चतुर्वक्त्रा चतुर्दंष्ट्रा चतुःस्तनी चतुर्हस्ता चतुर्नेत्रा विश्वरूपा कथं स्मृता

Transliteration

catuḥśṛṅgī caturvaktrā caturdaṃṣṭrā catuḥstanī caturhastā caturnetrā viśvarūpā kathaṃ smṛtā

Translation

وہ چار سینگوں والی، چار چہروں والی، چار دانتوں (دَمشٹرا) والی، چار پستانوں والی، چار ہاتھوں والی اور چار آنکھوں والی—اسے ‘وشورُوپا’ شکتی کے طور پر کیسے یاد کیا جاتا ہے؟

Word by Word

• चतुःशृङ्गी: four-horned

• चतुर्वक्त्रा: four-faced

• चतुर्दंष्ट्रा: having four fangs/tusks

• चतुःस्तनी: four-breasted

• चतुर्हस्ता: four-handed

• चतुर्नेत्रा: four-eyed

• विश्वरूपा: all-formed, universal in form

• कथं: how

• स्मृता: remembered/known (in tradition)

Speaker

Suta Goswami (narrating the Purva-Bhaga to the sages; verse framed as a traditional query within the narrative)

Characters & Entities

• Shiva
• Shakti
• Devi

FAQs

What is the importance of this verse in the context of Linga worship?

It points to Śakti as the manifest, many-formed power inseparable from Pati (Śiva); Linga-worship is completed by recognizing this dynamic power through which creation and grace operate.

How does this verse describe the nature of Shiva (Shiva-tattva)?

By describing Viśvarūpā Śakti, it implies Śiva-tattva as the transcendent Pati whose immanent potency appears with countless forms and powers—yet remains one reality with Him.

What ritualistic or Yogic practice is highlighted here?

A contemplative upāsanā: dhyāna on the deity’s viśvarūpa (multi-limbed iconography) as a support for focusing the mind in Śaiva worship and Pāśupata-oriented meditation.