Shloka 19
Sagarapratijñāpālana (Fulfilment of Sagara’s Vow) — Keśinī-vivāha and Royal Return
Devanagari script
बधिरीकृतदिक्चक्रो जयशब्देन भूरिणा / नानावादित्रसंघोषमिश्रेण मधुरेण च
Transliteration
badhirīkṛtadikcakro jayaśabdena bhūriṇā / nānāvāditrasaṃghoṣamiśreṇa madhureṇa ca
Translation
بے شمار ‘جَے’ کے نعروں سے گویا چاروں سمتیں بہری ہو گئیں، اور طرح طرح کے سازوں کی شیریں ملی جلی آواز گونج اٹھی۔
Word by Word
badhirīkṛta-dik-cakraḥdeafening the quarters
badhirīkṛta-dik-cakraḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootbadhirī-kṛta (कृदन्त from √kṛ) + dik + cakra (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (प्रथमा) singular (एकवचन); bahuvrīhi: 'whose directions-circle (all quarters) has been made deafened' i.e., 'deafening all directions'
jaya-śabdenawith the cry 'Victory!'
jaya-śabdena:
Karaṇa (करण)
TypeNoun
Rootjaya + śabda (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Instrumental (तृतीया) singular (एकवचन); tatpuruṣa: 'sound/cry of victory'
bhūriṇāabundantly/loudly
bhūriṇā:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeAdjective
Rootbhūri (प्रातिपदिक)
FormMasculine/Neuter, Instrumental (तृतीया) singular (एकवचन); used adverbially: 'in abundance/greatly'
nānā-vāditra-saṃghoṣa-miśreṇamixed with the clamor of various instruments
nānā-vāditra-saṃghoṣa-miśreṇa:
Karaṇa (करण)
TypeAdjective
Rootnānā (अव्यय) + vāditra + saṃghoṣa + miśra (प्रातिपदिक)
FormMasculine/Neuter, Instrumental (तृतीया) singular (एकवचन); tatpuruṣa chain: 'mixed with the din of various instruments'
madhureṇasweet/pleasant
madhureṇa:
Karaṇa (करण)
TypeAdjective
Rootmadhura (प्रातिपदिक)
FormMasculine/Neuter, Instrumental (तृतीया) singular (एकवचन)
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya (अव्यय), conjunction (समुच्चय)