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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 4

नगरादिवास्तुकथनं

Discourse on Vāstu for Cities and Related Settlements

हरिणी सुप्रभा लक्ष्मीर्विभूतिर्विमला प्रिया जया ज्वाला विशोका च स्मृतास्तत्रपादतः

hariṇī suprabhā lakṣmīrvibhūtirvimalā priyā jayā jvālā viśokā ca smṛtāstatrapādataḥ

اس کے قدموں کے پاس یہ نام یاد کیے جاتے ہیں—ہرِنی، سُپرَبھا، لکشمی، وِبھوتی، وِملا، پریا، جیا، جْوالا اور وِشوکا۔

hariṇīHariṇī
hariṇī:
Karta (कर्ता/apposition)
TypeNoun
Roothariṇī (प्रातिपदिक)
FormFeminine, Nominative (1st/प्रथमा), Singular; name
suprabhāSuprabhā
suprabhā:
Karta (कर्ता/apposition)
TypeNoun
Rootsuprabhā (प्रातिपदिक)
FormFeminine, Nominative (1st/प्रथमा), Singular; name
lakṣmīḥLakṣmī
lakṣmīḥ:
Karta (कर्ता/apposition)
TypeNoun
Rootlakṣmī (प्रातिपदिक)
FormFeminine, Nominative (1st/प्रथमा), Singular; name
vibhūtiḥVibhūti
vibhūtiḥ:
Karta (कर्ता/apposition)
TypeNoun
Rootvibhūti (प्रातिपदिक)
FormFeminine, Nominative (1st/प्रथमा), Singular; name
vimalāVimalā
vimalā:
Karta (कर्ता/apposition)
TypeNoun
Rootvimalā (प्रातिपदिक)
FormFeminine, Nominative (1st/प्रथमा), Singular; name
priyāPriyā
priyā:
Karta (कर्ता/apposition)
TypeNoun
Rootpriyā (प्रातिपदिक)
FormFeminine, Nominative (1st/प्रथमा), Singular; name
jayāJayā
jayā:
Karta (कर्ता/apposition)
TypeNoun
Rootjayā (प्रातिपदिक)
FormFeminine, Nominative (1st/प्रthama), Singular; name
jvālāJvālā
jvālā:
Karta (कर्ता/apposition)
TypeNoun
Rootjvālā (प्रातिपदिक)
FormFeminine, Nominative (1st/प्रथमा), Singular; name
viśokāViśokā
viśokā:
Karta (कर्ता/apposition)
TypeNoun
Rootviśokā (प्रातिपदिक)
FormFeminine, Nominative (1st/प्रथमा), Singular; name
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction
smṛtāḥare stated/remembered
smṛtāḥ:
Kriyā (क्रिया/predicative)
TypeVerb
Rootsmṛta (कृदन्त; √smṛ)
FormPast passive participle (क्त), Feminine? (form is plural masculine nominative); used predicatively: ‘are said/remembered’; Nominative (1st), Plural
tatrathere
tatra:
Adhikarana (अधिकरण)
TypeIndeclinable
Roottatra (अव्यय)
FormAdverb of place (देशवाचक अव्यय)
pādataḥfrom/at the feet
pādataḥ:
Apadana (अपादान/source)
TypeIndeclinable
Rootpāda + tas (अव्यय-प्रत्यय)
FormAblatival adverb (तसिल्-प्रत्यय) ‘from the feet/at the feet’

Lord Agni (narrating to the sage Vasiṣṭha in the Agni Purāṇa’s instructional dialogue framework)

Vidya Category: {"primary_vidya":"Stotra","secondary_vidya":"Vrata","practical_application":"Lakṣmī/Devī nāma-saṅkīrtana during pūjā, especially in pāda-sevā/feet-focused worship and archana with flowers.","sutra_style":false}

Encyclopedic Reference: {"reference_type":"List","entry_title":"Lakṣmī-Devī Pāda-nāma: Hariṇī–Viśokā","lookup_keywords":["Hariṇī","Suprabhā","Lakṣmī","Vibhūti","Vimalā","Viśokā"],"quick_summary":"A set of auspicious epithets is assigned to the Goddess’s feet, guiding a specific limb-focused contemplation in pūjā. The names emphasize radiance, purity, victory, and sorrowlessness."}

Alamkara Type: Nāma-śleṣa (semantic richness of epithets)

Concept: Devotional concentration can be stabilized by fixing attention on a sacred locus (here, the Goddess’s feet) and saturating it with meaningful names.

Application: During archana, offer flowers at the feet while reciting these epithets; use ‘Viśokā’ as a contemplation for release from grief.

Khanda Section: Puja-vidhi (Devī-stuti / Lakṣmī-nāma-saṅkīrtana)

Primary Rasa: bhakti

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"Close devotional focus on the Goddess’s lotus feet on a pedestal, with flowers and lamps; a devotee recites the names Hariṇī to Viśokā as offerings are placed at the feet.","kerala_mural_prompt":"Kerala mural, enlarged lotus feet of Lakṣmī with anklets, oil lamps, devotee offering flowers, name-band motifs around the feet, warm earthy tones","tanjore_prompt":"Tanjore, gold-leaf lotus pedestal and anklets, richly ornamented Lakṣmī, emphasis on feet with sparkling highlights, offerings of lotus and coins, epithets in decorative panels","mysore_prompt":"Mysore style, instructional aṅga-pūjā scene: priest points to the feet while reciting names, neat shrine setting, soft shading","mughal_miniature_prompt":"Mughal miniature, intimate shrine with detailed textiles, close-up composition on lotus feet and offerings, calligraphic labels of the epithets"}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Shree","pace":"slow","voice_tone":"devotional"}

Sandhi Resolution Notes: lakṣmīr vibhūtir vimalā resolved as lakṣmīḥ vibhūtiḥ vimalā (visarga sandhi). smṛtāstatra- resolved as smṛtāḥ tatra-.

Related Themes: Agni Purana: devī-pūjā/śrī-pūjā materials (contextual)

L
Lakṣmī
H
Hariṇī
S
Suprabhā
V
Vibhūti
V
Vimalā
P
Priyā
J
Jayā
J
Jvālā
V
Viśokā

FAQs

It teaches a structured nāma-smaraṇa (name-recitation) tied to a ritual placement—‘at the feet’—indicating a puja/stotra sequence where specific epithets of Lakṣmī are to be remembered/uttered.

Alongside law, polity, and other sciences, the Agni Purāṇa preserves practical liturgical modules—name-lists, stotras, and recitation cues—functioning as a compact manual for household and temple devotion.

Reciting Lakṣmī’s epithets as sorrow-dispelling (Viśokā), victorious (Jayā), and radiant (Suprabhā/Jvālā) is presented as an auspicious practice aimed at purification, removal of grief, and the attraction of śrī (prosperity and well-being).