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Agni Purana — Sahitya-shastra, Shloka 24

Arthālaṅkāras (Ornaments of Meaning): Definitions, Taxonomy, and the Centrality of Upamā

भवेदर्थान्तरन्यासः सादृश्येनोत्तरेण सः अन्यथोपस्थिता वृत्तिश्चेतनस्येतरस्य च

bhavedarthāntaranyāsaḥ sādṛśyenottareṇa saḥ anyathopasthitā vṛttiścetanasyetarasya ca

جب مشابہت رکھنے والے بعد کے بیان سے معنی کی تائید کی جائے تو اسے ‘ارثان्तरنیاس’ کہتے ہیں؛ نیز ذی شعور یا بے جان پر کسی طرزِ عمل/وِرتّی کو مختلف انداز میں منسوب کرنا بھی اسی میں شامل ہے۔

bhavetwould be/is (defined as)
bhavet:
Kriyā (क्रिया/verb)
TypeVerb
Rootbhū (भू धातु)
FormLiṅ-lakāra (Optative/विधिलिङ्), Prathama-puruṣa (3rd person/प्रथमपुरुष), Ekavacana (singular/एकवचन), Parasmaipada (परस्मैपद)
arthāntara-nyāsaḥ‘placing another meaning’ (arthāntaranyāsa, a figure)
arthāntara-nyāsaḥ:
Karta (कर्ता/Subject)
TypeNoun
Rootartha (अर्थ प्रातिपदिक) + antara (अन्तर प्रातिपदिक) + nyāsa (न्यास प्रातिपदिक)
FormPuṃliṅga (masculine/पुंलिङ्ग), Prathamā vibhakti (Nominative/प्रथमा), Ekavacana (singular/एकवचन); samāsa: arthāntara-nyāsa (अर्थान्तरन्यास)
sādṛśyenaby similarity
sādṛśyena:
Karaṇa (करण/Instrument)
TypeNoun
Rootsādṛśya (प्रातिपदिक)
FormNapुंसकलिङ्ग (neuter/नपुंसकलिङ्ग), Tṛtīyā vibhakti (Instrumental/तृतीया), Ekavacana (singular/एकवचन)
uttareṇaby the latter/following (one)
uttareṇa:
Karaṇa (करण/Instrument)
TypeAdjective
Rootuttara (प्रातिपदिक)
FormNapुंसकलिङ्ग (neuter/नपुंसकलिङ्ग), Tṛtīyā vibhakti (Instrumental/तृतीया), Ekavacana (singular/एकवचन); used adverbially ‘by the latter/following (statement)’
saḥthat/it
saḥ:
Karta (कर्ता/Subject)
TypeNoun
Roottad (तद् सर्वनाम-प्रातिपदिक)
FormPuṃliṅga (masculine/पुंलिङ्ग), Prathamā vibhakti (Nominative/प्रथमा), Ekavacana (singular/एकवचन)
anyathāotherwise/differently
anyathā:
Sambandha (सम्बन्ध/adverbial)
TypeIndeclinable
Rootanyathā (अव्यय)
FormKriyā-viśeṣaṇa avyaya (adverb/क्रियाविशेषण-अव्यय)
upasthitāpresented/appearing
upasthitā:
Viśeṣaṇa (विशेषण/qualifier)
TypeAdjective
Rootupa-sthā (उपस्था धातु) + kta (क्त)
FormKta-pratyaya past passive participle (क्त-कृदन्त), Strīliṅga (feminine/स्त्रीलिङ्ग), Prathamā vibhakti (Nominative/प्रथमा), Ekavacana (singular/एकवचन)
vṛttiḥfunction/usage/mental operation
vṛttiḥ:
Karta (कर्ता/Subject)
TypeNoun
Rootvṛtti (वृत्ति प्रातिपदिक)
FormStrīliṅga (feminine/स्त्रीलिङ्ग), Prathamā vibhakti (Nominative/प्रथमा), Ekavacana (singular/एकवचन)
cetanasyaof the sentient (being)
cetanasya:
Sambandha (सम्बन्ध/‘of’)
TypeAdjective
Rootcetana (चेतन प्रातिपदिक)
FormPuṃliṅga (masculine/पुंलिङ्ग), Ṣaṣṭhī vibhakti (Genitive/षष्ठी), Ekavacana (singular/एकवचन); used substantively
itarasyaof the non-sentient/other
itarasya:
Sambandha (सम्बन्ध/‘of’)
TypeAdjective
Rootitara (इतर प्रातिपदिक)
FormPuṃliṅga (masculine/पुंलिङ्ग), Ṣaṣṭhī vibhakti (Genitive/षष्ठी), Ekavacana (singular/एकवचन); used substantively
caand
ca:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootca (अव्यय)
FormSamuccaya-nipāta (conjunction/समुच्चय-निपात)

Lord Agni (teaching sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Alamkara","secondary_vidya":"Philosophy","practical_application":"Identifying arthāntaranyāsa in texts: supporting a point by introducing a similar subsequent statement; also recognizing altered attribution of activity to sentient/insentient for rhetorical force.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Arthāntaranyāsa—support by a similar subsequent statement; altered attribution of function","lookup_keywords":["arthāntaranyāsa","uttara-vākya","sādṛśya","cetana","acetana"],"quick_summary":"Arthāntaranyāsa strengthens a meaning by adding a subsequent, similar statement; it also includes shifted attribution of behavior or function, whether applied to sentient or insentient entities."}

Alamkara Type: Arthāntaranyāsa

Concept: A claim gains force through corroborative parallel meaning; cognition tolerates functional reassignment for persuasive or aesthetic effect.

Application: In writing, add a second, analogous statement to buttress the first; in analysis, check whether the ‘other meaning’ is introduced to confirm the initial sense rather than to diverge from it.

Khanda Section: Sahitya-shastra (Alankara/Kavya-poetics: Artha-alankara definitions)

Primary Rasa: śānta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A scholar demonstrates a two-step argument: first statement on a manuscript, then a second similar statement added beneath to ‘support’ it; beside, a symbolic image of an insentient object shown acting like a sentient being to indicate altered attribution.","kerala_mural_prompt":"Kerala mural, two-tier manuscript panel (first claim, supporting parallel claim), stylized personified object (e.g., a river ‘speaking’) at the side, guru teaching, traditional borders","tanjore_prompt":"Tanjore painting, gold-leaf manuscript folio with two reinforcing lines, ornate scholar-figure, small vignette of an insentient object given action, rich temple colors","mysore_prompt":"Mysore painting, instructional diagram with ‘vākya 1’ and ‘vākya 2’ linked by a brace labeled sādṛśya, clean composition, subtle personification vignette","mughal_miniature_prompt":"Mughal miniature, literary salon with a calligrapher adding a corroborative couplet, marginal illustration of a personified lamp or river, fine detail and balanced layout"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Bhairavi","pace":"slow","voice_tone":"instructional"}

Sandhi Resolution Notes: सादृश्येनोत्तरेण = सादृश्येन + उत्तरेण; वृत्तिश्चेतनस्येतरस्य = वृत्तिः + चेतनस्य + इतरस्य.

Related Themes: Agni Purana 343 (artha-alaṅkāra definitions cluster)

A
Arthāntaranyāsa
S
Sādṛśya
V
Vṛtti
C
Cetana
A
Acetana

FAQs

It imparts Sahitya-shastra (Sanskrit poetics): a technical definition of the artha-alankara called Arthāntaranyāsa, explaining how a later analogous statement (sādṛśya + uttara) reinforces or reframes the intended meaning.

By cataloging formal categories of literary aesthetics (alankāra) alongside other sciences, the Agni Purana functions as a compendium—preserving not only ritual and dharma topics but also systematic Sanskrit rhetorical theory.

Indirectly, it supports dharmic cultivation through refined speech and correct interpretation: mastering śāstric expression and meaning is treated in the tradition as a discipline that aids right understanding (samyag-jñāna) and ethical communication.