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Agni Purana — Mantra-shastra, Shloka 15

Worship of Gaurī and Others (Gauryādi-pūjā) — Mantra, Maṇḍala, Mudrā, Homa, and Mṛtyuñjaya Kalaśa-Rite

शक्तिमुद्रा तु योन्याख्या चतुरस्रन्तु मण्डलं चतुरस्रं त्रिपत्राब्जं मध्यकोष्ठचतुष्टये

śaktimudrā tu yonyākhyā caturasrantu maṇḍalaṃ caturasraṃ tripatrābjaṃ madhyakoṣṭhacatuṣṭaye

شکتی مُدرَا کو یونی مُدرَا بھی کہا جاتا ہے۔ منڈل چوکور بنایا جائے؛ اس کے اندر ایک اور چوکور کھینچ کر، درمیان کے چار خانوں میں تین پتیوں والا کمل قائم کیا جائے۔

शक्तिमुद्राthe Śakti mudrā
शक्तिमुद्रा:
Karta (कर्ता)
TypeNoun
Rootशक्ति + मुद्रा (प्रातिपदिक)
Formस्त्रीलिङ्गे प्रथमा-विभक्तिः एकवचनम्; षष्ठी-तत्पुरुषः
तुindeed
तु:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्ययम्; विरोध/विशेषार्थक-निपातः (but/indeed)
योनि-आख्याcalled ‘yoni’
योनि-आख्या:
Visheshana (विशेषण)
TypeAdjective
Rootयोनि + आख्या (प्रातिपदिक)
Formस्त्रीलिङ्गे प्रथमा-विभक्तिः एकवचनम्; ‘योनि-नाम्नी’ (named ‘yoni’)
चतुरस्रम्square
चतुरस्रम्:
Visheshana (विशेषण)
TypeAdjective
Rootचतुरस्र (प्रातिपदिक)
Formनपुंसकलिङ्गे प्रथमा/द्वितीया-विभक्तिः एकवचनम्; विशेषणम्
तुand/indeed
तु:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्ययम्; विशेषार्थक-निपातः
मण्डलम्maṇḍala / diagram
मण्डलम्:
Karta (कर्ता)
TypeNoun
Rootमण्डल (प्रातिपदिक)
Formनपुंसकलिङ्गे प्रथमा/द्वितीया-विभक्तिः एकवचनम्
चतुरस्रम्square
चतुरस्रम्:
Visheshana (विशेषण)
TypeAdjective
Rootचतुरस्र (प्रातिपदिक)
Formनपुंसकलिङ्गे प्रथमा/द्वितीया-विभक्तिः एकवचनम्; विशेषणम्
त्रिपत्र-अब्जम्three-petalled lotus
त्रिपत्र-अब्जम्:
Karta (कर्ता)
TypeNoun
Rootत्रि + पत्र + अब्ज (प्रातिपदिक)
Formनपुंसकलिङ्गे प्रथमा/द्वितीया-विभक्तिः एकवचनम्; ‘त्रिपत्रं अब्जम्’ इति कर्मधारय-प्रायः/तत्पुरुषः (three-petalled lotus)
मध्यकोष्ठ-चतुष्टयेin the four central compartments
मध्यकोष्ठ-चतुष्टये:
Adhikarana (अधिकरण)
TypeNoun
Rootमध्य + कोष्ठ + चतुष्टय (प्रातिपदिक)
Formनपुंसकलिङ्गे सप्तमी-विभक्तिः एकवचनम् (Locative singular); ‘मध्यकोष्ठस्य चतुष्टये’ (in the set of four central cells)

Lord Agni (instructional narration to Vasiṣṭha, typical Agni Purāṇa dialogue frame)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Vastu","practical_application":"Constructing a square maṇḍala with an inner square and a three-petalled lotus placed across the four central compartments; using Śakti/Yoni mudrā as part of yantra–mudrā coordination in worship.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Śakti (Yoni) mudrā and square maṇḍala with tripatra-abja","lookup_keywords":["Śakti-mudrā","Yoni-mudrā","maṇḍala","caturasra","tripatra-abja"],"quick_summary":"Gives a named equivalence (Śakti-mudrā = Yoni-mudrā) and a precise geometric prescription for a ritual maṇḍala: square framework, inner square, and a three-petalled lotus positioned in the central four cells."}

Concept: Śakti is approached through symbol (yoni/lotus) and geometry (maṇḍala); form is a vehicle for focusing consciousness and invoking presence.

Application: When drawing yantra/maṇḍala, follow exact geometry and coordinate it with the corresponding mudrā to maintain ritual integrity.

Khanda Section: Puja-vidhi / Tantra (Yantra–Mudra–Mandala Lakshana)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A ritual diagram is being drawn: an outer square, an inner square, and in the central four compartments a three-petalled lotus; beside it, the practitioner forms Śakti/Yoni mudrā with the hands.","kerala_mural_prompt":"Kerala mural, top-down view of a caturasra maṇḍala on the floor with white/red powders, tripatra lotus in the center, priest forming yoni-mudrā, oil lamps around, stylized geometric borders.","tanjore_prompt":"Tanjore painting, richly ornamented yantra panel with gold accents outlining the square and lotus, central tripatra-abja highlighted, devotee hands in Śakti-mudrā, decorative floral motifs.","mysore_prompt":"Mysore style, instructional clarity: clean geometric lines, labeled compartments, step-by-step depiction of drawing the square and lotus, hands demonstrating yoni-mudrā in an inset.","mughal_miniature_prompt":"Mughal miniature, meticulous geometry on a parchment-like floor, artisan-priest drawing the maṇḍala with a stylus, pigments and bowls nearby, inset showing the yoni-mudrā, fine border illumination."}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Bhairavi","pace":"slow","voice_tone":"instructional"}

Sandhi Resolution Notes: योन्याख्या = योनि + आख्या। चतुरस्रन्तु = चतुरस्रम् + तु। त्रिपत्राब्जं = त्रिपत्र + अब्जम्। मध्यकोष्ठचतुष्टये = मध्यकोष्ठ + चतुष्टये।

Related Themes: Agni Purana 325 (yantra–mudrā–maṇḍala lakṣaṇa sequence)

A
Agni
Ś
Śakti
Y
Yoni
M
Maṇḍala
M
Mudrā
A
Abja (Lotus)

FAQs

It teaches a precise tantric-ritual specification: identifying Śakti-mudrā as Yoni-mudrā and prescribing the geometry of the maṇḍala—an outer square, an inner square, and a three-petalled lotus positioned within the four central cells.

Beyond mythology, it preserves applied ritual technology—mudrā nomenclature and mandala/yantra layout—showing the text’s coverage of practical liturgy, sacred diagramming, and tantric procedural details.

Correct mudrā and correctly proportioned mandala are treated as prerequisites for effective worship and mantra-sādhana; accuracy is understood to support purity of rite, focused intention, and the intended spiritual result of the practice.