Agni Purana — Agneya-vidya, Shloka 13
Chapter 41 — शिलाविन्यासविधानं
The Procedure for Laying the Stones / Foundation Setting
प्राङ्मुखस्तु गुरुः कुर्यादष्टदिक्षु विलिप्य च मध्ये चैकां शिलां कुम्भं न्यसेदेतान् सुरान् क्रमात्
prāṅmukhastu guruḥ kuryādaṣṭadikṣu vilipya ca madhye caikāṃ śilāṃ kumbhaṃ nyasedetān surān kramāt
گرو مشرق رُخ ہو کر کرم-وِنیاس کرے۔ آٹھوں سمتوں میں لیپ/نشان گذاری کر کے، درمیان میں ایک شِلا (پتھر کی تختی) اور کُمبھ (کلش) رکھے؛ پھر ان دیوتاؤں کو ترتیب وار پرتیِشٹھت کرے۔
Lord Agni (in discourse to Sage Vasiṣṭha, typical Agni Purana narration frame)
Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Vastu","practical_application":"Ritual spatialization: orient the officiant eastward, mark the eight directions, place a central stone-slab and kalaśa, then perform dikpāla/devatā-nyāsa in sequence—used for mandala setup, protection, and stable invocation field.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Dik-vilepana and Madhya-nyāsa: Śilā–Kalaśa Placement with Deity Installation","lookup_keywords":["dikpāla-nyāsa","aṣṭadik","kalaśa","śilā","maṇḍala"],"quick_summary":"Face east, prepare directional markings in the eight quarters, establish the center with a stone-slab and kalaśa, and install the deities in order—creating a protected mandala for subsequent worship and homa."}
Concept: Sacralizing space: the cosmos is mapped onto the ritual ground through directionality and a central bindu, enabling focused invocation and protection.
Application: Before any major pūjā/homa, establish directional guardians and a stable center (kalaśa) to minimize obstacles and maintain ritual coherence.
Khanda Section: Puja-vidhi (Ritual Directions for Mandala, Kalasha, and Dikpala-nyasa)
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"An east-facing guru marks the eight directions on the ground, then places a central stone-slab and a decorated kalaśa; around it, the dikpālas are installed in sequence.","kerala_mural_prompt":"Kerala mural, top-down mandala view with eight directional panels, central kalaśa on a stone slab, priest facing east, dikpāla figures stylized at the compass points, bold outlines and earthy palette","tanjore_prompt":"Tanjore, symmetrical mandala with gold-highlighted kalaśa at center, eight directional guardians in small medallions, ornate borders, emphasis on auspicious geometry and central radiance","mysore_prompt":"Mysore painting, instructional diagram aesthetic: compass-like layout, labeled eight directions, central śilā and kalaśa rendered clearly, fine linework and gentle colors for clarity","mughal_miniature_prompt":"Mughal miniature, courtyard ritual with geometric floor markings, central pot on stone, attendants placing directional markers, architectural perspective and delicate detailing"}
Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Kalyani","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: प्राङ्मुखस्तु = प्राङ्मुखः + तु; कuryādaṣṭadikṣu = कुर्यात् + अष्टदिक्षु; चैकाम् = च + एकाम्; न्यसेदेतान् = न्यसेत् + एतान्;
Related Themes: Agni Purana 41 (maṇḍala-kalāśa-dikpāla nyāsa); Agni Purana vāstu/maṇḍala related chapters (general)
FAQs
It gives the procedural rule for a consecration-style setup: the officiant faces east, marks/smears the eight directions, places a central stone-base and a ritual water-pot (kalaśa), and performs sequential installation (nyāsa) of the directional deities.
Beyond mythology, it preserves practical liturgical engineering—directional mapping, mandala preparation, and kalasha installation—showing the Agni Purana as a manual of applied ritual science alongside its many other subjects.
Orienting east and installing deities by direction sacralizes space, establishes ritual order (ṛta), and is understood to purify the rite—making the worship structurally complete and spiritually efficacious.