Agni Purana — Agneya-vidya, Shloka 26
Chapter 19 — कश्यपवंशवर्णनम्
Description of Kaśyapa’s Lineage
धरण्या इति ख, चिह्नितपुस्तकपाठः कश्यपादि परस्परमिति ख, चिह्नितपुस्तकपाठः देवैर् दाइत्याः पराजिता इति ख, चिह्नितपुस्तकपाठः भूतानाञ्च हर इति ग, ङ, चिह्नितपुस्तकद्वयपाठः गान्धर्वाणां चित्ररथो नागानामथ वासुकिः सर्पाणां तक्षको राजा गरुडः पक्षिणामथ
dharaṇyā iti kha, cihnitapustakapāṭhaḥ kaśyapādi parasparamiti kha, cihnitapustakapāṭhaḥ devair dāityāḥ parājitā iti kha, cihnitapustakapāṭhaḥ bhūtānāñca hara iti ga, ṅa, cihnitapustakadvayapāṭhaḥ gāndharvāṇāṃ citraratho nāgānāmatha vāsukiḥ sarpāṇāṃ takṣako rājā garuḍaḥ pakṣiṇāmatha
گندھرووں میں چتررتھ برتر ہے؛ ناگوں میں واسُکی۔ سانپوں میں بادشاہ تکشک ہے؛ اور پرندوں میں گرُڑ سردار ہے۔
Lord Agni (narrating in the Agni Purana’s dialogue frame)
Vidya Category: {"primary_vidya":"Cosmology","secondary_vidya":"Samanya","practical_application":"Mnemonic taxonomy of beings (gandharvas, nāgas, serpents, birds) with their chiefs for ritual invocation, storytelling, and cosmological education; also alerts readers to manuscript-variant awareness in transmission.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"List","entry_title":"Chiefs of Species-Gaṇas: Citraratha, Vāsuki, Takṣaka, Garuḍa","lookup_keywords":["Gandharva","Citraratha","Vāsuki","Takṣaka","Garuḍa"],"quick_summary":"The verse names leading figures for key non-human classes—Gandharvas, Nāgas, serpents, and birds—serving as a compact index for ritual address and purāṇic cosmology; the surrounding variant notes reflect textual transmission."}
Concept: Classification and leadership within species/realms: plurality is organized through identifiable heads, enabling orderly ritual and narrative cognition.
Application: In recitation/pūjā: invoke Garuḍa for protection against serpentine fears/poisons symbolically; invoke Nāga chiefs in water/earth fertility contexts; use Citraratha in music/arts consecrations.
Khanda Section: Cosmology & Puranic Enumeration (Lokapāla/Adhipati-nirdeśa)
Primary Rasa: adbhuta
Secondary Rasa: vira
Type: Cosmic realm
Visual Art Cues: {"scene_description":"A bestiary-like cosmic panel: Citraratha playing vīṇā among Gandharvas; Vāsuki as jeweled multi-hooded Nāga; Takṣaka as regal serpent; Garuḍa soaring or standing in heroic posture as king of birds.","kerala_mural_prompt":"Kerala mural, vibrant mythic bestiary: Citraratha with vīṇā and floral garlands; Vāsuki with multiple hoods and gem-studded crown; Takṣaka coiled with raised hood; Garuḍa with wide wings and strong beak profile, bold outlines and patterned backgrounds","tanjore_prompt":"Tanjore gold, four iconic portraits with heavy ornament: Citraratha musician with gold halo; Vāsuki and Takṣaka rendered with gold-embossed scales and jeweled hoods; Garuḍa with gold wings and ornate chest ornaments, deep jewel-tone backdrop","mysore_prompt":"Mysore style, clear labeled figures: Citraratha (vīṇā), Vāsuki (multi-hood), Takṣaka (single prominent hood), Garuḍa (anthropomorphic eagle), soft shading and fine detailing for scales and feathers","mughal_miniature_prompt":"Mughal miniature naturalism: a courtly musician scene for Citraratha; a riverbank with nāgas emerging for Vāsuki; a forest clearing with Takṣaka coiled; Garuḍa in dynamic flight above, detailed flora, fauna, and textiles"}
Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Kedar","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: Verse text includes multiple critical apparatus notes (kha/ga/ṅa readings) which are not part of the metrical pādas; analysis provided for the main continuous pāṭha: गान्धर्वाणां चित्ररथो नागानामथ वासुकिः सर्पाणां तक्षको राजा गरुडः पक्षिणामथ. Sandhi: नागानामथ = nāgānām + atha; पक्षिणामथ = pakṣiṇām + atha.
Related Themes: Agni Purana: other adhipati/lokapāla lists (immediately 19.23–19.25); Agni Purana: any Garuḍa-related stotra/protective passages (where present in stotra sections)
FAQs
It imparts classificatory purāṇic knowledge (nirdeśa) by naming the recognized chiefs (adhipatis) of key non-human classes—Gandharvas, Nāgas, serpents, and birds.
By preserving standardized mythic taxonomy—who is “chief” among various beings—it functions like a reference index for cosmology, lore, and later ritual/story contexts where these names serve as authoritative identifiers.
Remembering and reciting such canonical enumerations is traditionally treated as smṛti-saṃvardhana (strengthening sacred memory) and supports śraddhā by aligning one’s knowledge with purāṇic order (dharma of cosmic hierarchy).