वांछितं चाष्टभिर्भक्त्या ददाति पुरुषोत्तमः । सर्वं दद्यान्नवव्यूहो दुर्ल्लभो यः सुरोत्तमैः
vāṃchitaṃ cāṣṭabhirbhaktyā dadāti puruṣottamaḥ | sarvaṃ dadyānnavavyūho durllabho yaḥ surottamaiḥ
Sa debosyon, sa walong pagbigkas, ipinagkakaloob ni Puruṣottama ang ninanais na biyaya. Ang siyam-na-tiklop na Vyūha ay nagbibigay ng lahat—Siya na mahirap maabot kahit ng pinakadakilang mga diyos.
Skanda (deduced from Dvārakā-māhātmya narrative style within Skanda Purāṇa)
Tirtha: Dvārakā (Puruṣottama/navavyūha nāma-ucchāra fruit)
Type: kshetra
Scene: A crescendo scene: devotee chanting with intense bhakti; Puruṣottama appears granting the desired boon; then a cosmic diagram-like manifestation of the ninefold Vyūha surrounding the Lord, encompassing all directions; devas in the background gaze in astonishment, indicating his rarity even to them.
Bhakti is the key that makes the Lord—hard to reach even for gods—accessible, and it transforms remembrance into a source of complete auspiciousness.
Dvārakā, presented as a place where the Lord’s supreme form and emanations are especially efficacious.
Devotional, counted nāma-japa (eight and nine) linked to specific forms (Puruṣottama and the nava-vyūha).