तदा सर्वाणि तीर्थानि क्षेत्रारण्याश्रमैः सह । वाराणसीप्रयागादि सरांसि सिन्धवो नगाः
tadā sarvāṇi tīrthāni kṣetrāraṇyāśramaiḥ saha | vārāṇasīprayāgādi sarāṃsi sindhavo nagāḥ
Noon, ang lahat ng tīrtha—kasama ang mga banal na kṣetra, mga gubat, at mga āśrama—kabilang ang Vārāṇasī, Prayāga at iba pa; pati mga lawa, mga ilog, at mga bundok, ay nagsikilos bilang tugon.
Prahlāda (continuing narration)
Tirtha: Sarva-tīrtha-sammelana (all tīrthas collectively) with exemplars Kāśī and Prayāga
Type: kshetra
Listener: Audience within the narrative; implicitly all tīrthas as dramatis personae
Scene: A grand allegorical panorama where rivers, lakes, mountains, forests, āśramas, and famed cities appear as living beings or deities assembling—Kāśī and Prayāga identifiable—turning their gaze toward the western sea where Dvārakā shines.
All sacred places are interconnected in Purāṇic vision, collectively affirming the supremacy and living presence of dharma in holy geography.
Multiple tīrthas are referenced—especially Vārāṇasī and Prayāga—within a larger celebration of the tīrtha-world responding to Dvārakā’s glory.
None explicitly; it is a descriptive catalog of sacred sites and landscapes.