यत्र त्वं तत्र दानानि व्रतानि नियमाश्च ये । ओंकारश्च वषट्कारः स्वाहाकारः स्वधा तथा
yatra tvaṃ tatra dānāni vratāni niyamāśca ye | oṃkāraśca vaṣaṭkāraḥ svāhākāraḥ svadhā tathā
Saan ka man naroroon, naroon din ang mga kawanggawa, mga panata (vrata), at lahat ng disiplina. Naroon din ang pantig na Oṃ, ang sigaw na vaṣaṭ, at ang mga pagbigkas na svāhā at svadhā.
Gopīs
Tirtha: Dvārakā-kṣetra (Janārdana-sannidhi)
Type: kshetra
Scene: A devotee-sage addresses Janārdana in Dvārakā, visualizing that wherever the Lord stands, Vedic utterances (Oṃ, vaṣaṭ, svāhā, svadhā) and the merits of dāna and vrata arise as if embodied around Him.
Bhagavān is the inner essence of ritual and dharma; devotion unifies charity, vows, and Vedic sacred utterances.
The Dvārakā Māhātmya setting (Gopī-sara/Gopracāra tīrtha), where Kṛṣṇa’s presence is declared to embody all sacred acts.
It enumerates ritual elements—dāna, vrata, niyama, and Vedic exclamations (oṃ, vaṣaṭ, svāhā, svadhā)—as spiritually present wherever Kṛṣṇa is; no single step-by-step injunction is added here.