वक्त्रनेत्रविकारोऽयं किमस्य व्रतधारिणः । ईदृक्कामसमायुक्तस्ततो ध्यानस्थितो मुनिः
vaktranetravikāro'yaṃ kimasya vratadhāriṇaḥ | īdṛkkāmasamāyuktastato dhyānasthito muniḥ
“Bakit nagkakaganyan ang mukha at mga mata ng tagapagpanata? Siya’y tila lubhang napupuno ng pagnanasa—” sa pag-iisip na ito, ang muni ay pumasok sa pagninilay (dhyāna).
Purāṇic narrator (reporting Nārada’s inner reflection)
Scene: A vow-observing sage notices unsettling changes in another’s face and eyes; he withdraws into seated meditation, aura tightening as inner sight awakens.
When appearances confuse, the Purāṇic ideal response is contemplative inquiry—turning to dhyāna for clarity.
The Arbuda setting remains the narrative locus; the sanctity is implicit through divine and sage activity rather than explicit tīrtha naming in this verse.
Dhyāna (meditation) is shown as the method to investigate subtle truth.
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