अव्यक्ताः परमत्रासाद्ध्यायंतस्ते च संस्थिताः । पंचाग्निसाधकाः केचित्तत्र व्रतपरायणाः
avyaktāḥ paramatrāsāddhyāyaṃtaste ca saṃsthitāḥ | paṃcāgnisādhakāḥ kecittatra vrataparāyaṇāḥ
Di di-makita at lumayo sa karaniwang buhay—dahil sa matinding pagkamangha at pagkatakot—nakatindig sila roon na lubos na nakalubog sa pagninilay (dhyāna). Ang ilan sa kanila ay mga asetikong nakatali sa panata, nagsasagawa ng disiplina ng limang apoy (pañcāgni), matatag sa banal na pagsunod.
Narrator (contextual Purāṇic narrator addressing a king: likely Sūta/Lomaharṣaṇa tradition)
Tirtha: Arbuda-kṣetra (tapas-bhūmi)
Type: peak
Listener: Narādhipa (king)
Scene: Hidden ascetics standing or seated in deep meditation, some surrounded by the symbolic five fires (four around, sun above), heat shimmer, ash markings, matted hair; the forested mountain feels numinous and awe-inspiring.
Awe before the Divine matures into steadiness: disciplined vows and meditation make the mind fit for higher vision.
The Arbuda sacred region within the Prabhāsa-khaṇḍa (Arbuda-khaṇḍa context).
Pañcāgni-tapas (the five-fire austerity) and steadfast observance of vrata.