स्तुतश्च नाना स्तुतिभिः शंभुनापि कृतादराः । विविशुश्चासनश्रेण्यां तन्मुखासक्तदृष्टयः
stutaśca nānā stutibhiḥ śaṃbhunāpi kṛtādarāḥ | viviśuścāsanaśreṇyāṃ tanmukhāsaktadṛṣṭayaḥ
Pinuri nila si Śambhu sa sari-saring banal na himno, at si Śambhu man ay tumanggap sa kanila nang may dangal. Pagkaraan, pumasok sila sa hanay ng mga upuan, ang mga mata’y nakatuon, nalulubog sa pagtanaw sa Kanyang mukha.
Skanda (narration)
Tirtha: Kailāsa
Type: peak
Scene: A formal divine audience: hymns offered in many meters; Śiva (Śambhu) receives with gracious honor; the assembly then sits in ordered rows, all eyes unwaveringly fixed on Śiva’s serene face.
Devotion is perfected by praise (stuti) and steady contemplation (fixed gaze), and the Lord reciprocates by honoring sincere devotees.
The immediate scene is a divine assembly (Kailāsa context), serving as narrative prelude within the Kāśī Khaṇḍa’s Liṅga-māhātmya.
Stuti (hymnic praise) and darśana-oriented contemplation are indicated as devotional practices.