समागच्छदथैकाकी काशीं श्रेयोविकासिनीम् । धर्मेश्वरं समाराध्य कालान्निर्वाणमाप्तवान्
samāgacchadathaikākī kāśīṃ śreyovikāsinīm | dharmeśvaraṃ samārādhya kālānnirvāṇamāptavān
Pagkatapos, mag-isa siyang nagtungo sa Kāśī—na nagpapabukadkad ng pinakamataas na kabutihan. Sa taimtim na pagsamba kay Dharmēśvara, sa takdang panahon ay nakamtan niya ang nirvāṇa, ang ganap na paglaya.
Skanda (narration context: Kāśīkhaṇḍa, typically Skanda to Agastya)
Tirtha: Kāśī (Avimukta-kṣetra)
Type: kshetra
Scene: A lone former king enters the sacred city of Kāśī at dawn, ghāṭas and temples visible; he approaches Dharmēśvara shrine, offers flowers and water, absorbed in devotion; time passes and liberation is implied.
Kāśī is portrayed as a mokṣa-giving kṣetra; devotion to Dharmēśvara and renunciation culminate in liberation.
Kāśī (Vārāṇasī) and the shrine of Dharmēśvara within it.
Samārādhana (devotional worship/propitiation) of Dharmēśvara.