भद्रकालीं नरो दृष्ट्वा नाभद्रं पश्यति क्वचित् । भद्रनागस्य पुरतो भद्रवाप्यां कृतोदकः
bhadrakālīṃ naro dṛṣṭvā nābhadraṃ paśyati kvacit | bhadranāgasya purato bhadravāpyāṃ kṛtodakaḥ
Pagkakita kay Bhadrakālī, ang tao’y hindi nakakakita ng anumang masama saanman. At matapos maghandog ng tubig sa Bhadravāpī sa harap ni Bhadranāga, siya’y nagiging laging mapalad.
Skanda (deduced: Kāśī Khaṇḍa commonly Skanda → Agastya)
Tirtha: Bhadravāpī (in front of Bhadranāga) with Bhadrakālī-darśana
Type: kund
Scene: A pilgrim stands before fierce-yet-benevolent Bhadrakālī; nearby a stone-marked nāga icon (Bhadranāga) guards a circular well (Bhadravāpī) where the pilgrim offers water, the atmosphere charged with protective auspiciousness.
Kāśī’s Devi-darśana and tīrtha-water rites are portrayed as direct remedies for inauspiciousness and fear.
Bhadrakālī’s darśana, Bhadravāpī (sacred water-site), and the spot before Bhadranāga in Kāśī.
Darśana of Bhadrakālī and performing an udaka rite (ablution/water-offering) at Bhadravāpī.