आरक्तपीतमंजिष्ठ नीलकिर्मीरवर्णकैः । विन्यस्तानीव भासंते चित्रे चित्रकृतायतः
āraktapītamaṃjiṣṭha nīlakirmīravarṇakaiḥ | vinyastānīva bhāsaṃte citre citrakṛtāyataḥ
Sa mga kulay na matingkad na pula, gintong dilaw, manjistha, bughaw, at batik-batik na mga tono, sila’y kumikislap na wari’y sadyang inukit at inilapat—gaya ng mahabang larawan na nilikha ng sining.
Skanda (deduced: Kāśīkhaṇḍa commonly Skanda → Agastya)
Tirtha: Avimukta (Kāśī)
Type: kshetra
Scene: A long corridor/maṇḍapa in Kāśī gleams like a master painting: surfaces appear inlaid with deep red, golden-yellow, madder, blue, and speckled tones, as if pigments became gemstones.
Divine order is suggested through ‘as-if inlaid’ beauty—Kāśī’s sacred space is portrayed as intentionally crafted by higher power.
Avimukta-Kāśī, via vivid artistic and gem-like imagery.
None.