चंद्रकांतमणीनां च स्तंभाधार शिलाश्च याः । चित्ररत्नमयैस्तंभैः स्तंभितास्तत्प्रभाभराः
caṃdrakāṃtamaṇīnāṃ ca staṃbhādhāra śilāśca yāḥ | citraratnamayaistaṃbhaiḥ staṃbhitāstatprabhābharāḥ
At ang mga batong-patungan na sumasalo sa mga haligi ay yari sa mga hiyas na batong-buwan; sinasandigan ng mga haliging gawa sa sari-saring hiyas, sila’y punô ng umaapaw na bigat ng liwanag.
Skanda (deduced: Kāśīkhaṇḍa commonly Skanda → Agastya)
Tirtha: Kāśī (Avimukta)
Type: kshetra
Listener: Ṛṣis (assumed frame)
Scene: Close-up of pillar bases: moonstone pedestals glowing with cool lunar sheen; above them, pillars of multicolored jewels, the whole hall flooded with layered radiance.
The jeweled imagery signals that Kāśī’s sanctity is not ordinary wealth but divine effulgence—an outward sign of inner liberation.
Avimukta-Kāśī, through descriptions of its divinely radiant supports and foundations.
None; the focus is on sacred description (sthala-vaibhava).