मन्मना मम भक्तश्च मयि सर्वार्पितक्रियः । यथा मोक्षमिहाप्नोति न तथान्यत्रकुत्रचित्
manmanā mama bhaktaśca mayi sarvārpitakriyaḥ | yathā mokṣamihāpnoti na tathānyatrakutracit
Ang may isip na nakatuon sa Akin, deboto sa Akin, at iniaalay sa Akin ang lahat ng gawain—ang gayong tao ay nakakamit ang kalayaan dito (sa Kāśī) sa paraang hindi matatagpuan saanman.
Śiva (deduced from immediate context of Tāraka-Brahman teaching in Kāśī)
Tirtha: Kāśī/Avimukta
Type: kshetra
Listener: addressed audience within the narrative (dvija/sages implied)
Scene: A devotee in Kāśī performing daily acts—bathing, offering flowers, lighting lamps—while mentally absorbed in Śiva; the city’s temples and ghāṭs frame the scene, suggesting ‘all actions offered’.
Single-point devotion and surrender of all actions to Śiva culminate in liberation, with Kāśī extolled as uniquely potent for mokṣa.
Kāśī/Avimukta, the famed liberating sacred geography of the Skanda Purāṇa.
An inner discipline is prescribed: offering all actions to Śiva (sarvārpita-kriyā) and steady devotion (bhakti).