परं ब्रह्म यदाम्नातं निष्प्रपंचं निरात्मकम् । निर्विकल्पं निराकारमव्यक्तं स्थूलसूक्ष्मवत्
paraṃ brahma yadāmnātaṃ niṣprapaṃcaṃ nirātmakam | nirvikalpaṃ nirākāramavyaktaṃ sthūlasūkṣmavat
Yaong Kataas-taasang Brahman, ayon sa banal na tradisyon, ay lampas sa lahat ng pagpapakita, walang hanggahang pagkamakasarili, malaya sa paghahati ng guniguni, walang anyo at di-nahahayag—ngunit lumalaganap na wari’y kapwa magaspang at maselan.
Skanda (continuing instruction to Agastya)
Tirtha: Avimukta (contextual)
Type: kshetra
Listener: Agastya
Scene: An abstract-leaning teaching moment: Skanda describes the formless Brahman; artists may depict a luminous, unfigured radiance (tejas) behind Skanda, with subtle overlays of gross (mountains, bodies) and subtle (prāṇa, light) dissolving into a single glow.
Liberation is grounded in realizing the Supreme as formless and unconditioned, beyond mental constructions.
The teaching is situated within the Avimukta Māhātmya of Kāśī, linking metaphysics to sacred geography.
None explicitly; it provides philosophical orientation (tattva-jñāna) supporting mokṣa.