एकदा कश्चिदौदीच्यो माल्यकेतुं नरेश्वरम् । चित्रकृच्चित्रपटिकां चित्रां दर्शितवानथ
ekadā kaścidaudīcyo mālyaketuṃ nareśvaram | citrakṛccitrapaṭikāṃ citrāṃ darśitavānatha
Minsan, isang taga-hilaga na pintor ang nagpakita kay Haring Mālyaketu ng isang kahanga-hangang iginuhit na tabla.
Skanda (deduced: Kāśīkhaṇḍa commonly Skanda → Agastya)
Tirtha: Kāśī (Avimukta)
Type: kshetra
Listener: Śaunaka and the Naimiṣāraṇya ṛṣis (typical frame)
Scene: A northern artist presents a painted panel to King Mālyaketu in court; attendants gather; the painting is covered then unveiled, creating suspense.
Purāṇic narratives often introduce a ‘vision’ (darśana) event that becomes the turning point toward dharma and sacred understanding.
The macro-context is Kāśī; this verse itself introduces a narrative scene without naming a particular tīrtha.
None in this verse; it is a narrative setup.